Dobermann
Dobermann are speakers for people putting the quality of the sound in first place. They have everything, that decides over 99.9% of good sound. The leftover 0.1% makes the price go up a few times, and that is the reason we left it for future, more expensive models.

Those speakers do not limit the frequency range in practically all recordings known to us. The bass is precise, unconstrained, the midrange clean and gentle – it is the denial of the common opinion of metal membranes.

The Dobermann were designed to work in a bass-reflex setting as well as in closed cabinet setting (in case of a smaller listening room and the need to place the speakers near to the wall)

Distance from the walls:
Recommended minimum (counted from the bottom from the front baffle):
From the back wall – 100cm, from the side walls – 80cm.

Speaker torsion:
The speakers should point directly to the listener (experimenting is not recommended).

Recommended listening height – tweeter axis +- 20cm.

Recommended listening room size: 20 – 70m2.

The axis of the tweeter should be aimed directly at the listener – if possible in range of spike regulation.

Technical specifications:
System description:

Drivers:
3-way bass reflex

tweeter: 25 mm
mid driver: 13 cm
bass driver: 26 cm

Freq. Response: 27-25000 (+/- 3 db)
Power Handling: 170 W
Sensitivity: 88 db
Impedance: 6 ohm
Net Weight: 69 kg / single
Dimensions (Height x Width x Depth) 100 x 28 x 55 cm



review in HighFidelityOnline


Dobermann are one of a kind speakers. Their resolution, cleanness and drawing precision is phenomenal
and comparable only with speakers like the Wilson Audio Model 8 and higher.

During this time I did not come across other speakers that would match them with speed, attack, the ability to

reproduce energy in any given timeframe. Because this is another asset of the Dobermann: they do not wash-out
the attack and decay, which makes the pace of the recordings ideal, I have not heard a better attack and decay,

I'll repeat: these are speakers, that create new paths in many areas and are – not only on the polish market, but

also in the hi-end as a whole – something absolutely unique.

Wojciech Pacuła, HighFidelityOnline editor

© Harpia Acoustics 2007 :: design: igor herzyk
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